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QUALITY USED BOOK

• Sales Rank: #4970411 in Books
• Published on: 1986
• Original language: English
• Number of items: 1
• Dimensions: .57" h x 4.20" w x 6.92" l, .24 pounds
• Binding: Paperback

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• Sales Rank: #1032071 in Books
• Published on: 1994-11-23
• Original language: English
• Number of items: 1
• Dimensions: 6.00" h x 9.00" w x 1.00" l,
• Binding: Paperback
• 250 pages

About the Author
Mary Russo is Professor of Literature and Critical Theory at Hampshire College in Massachusetts.

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Well thought through and compelling read
By Chrisitne Morton
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Accessible and well argued
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• Sales Rank: #3711248 in Books
• Published on: 1900
• Binding: Paperback

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This is a comprehensive introduction to the theory of electrical circuits for students in the physical sciences taking a first course in electronics. The methods of circuit analysis are clearly explained and illustrated with the aid of numerous worked examples. Applications of the theory relevant to the fields of electronics, telecommunications and power systems are treated throughout.

• Published on: 2012-06-05
• Platform: No Operating System
• Original language: English
• Number of items: 1
• Binding: Printed Access Code

Review
"...an excellent reference work for lecturers preparing undergraduate courses in electrical circuit analysis..." Henry Davie, The Times Higher Education Supplement

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Excellent
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How should Christians conduct themselves in an increasingly secular society?

Jesus answered this troubling question on the eve of His death with some of the most poignant, powerful teaching in His entire ministry. During those hours He taught His apostles and, consequently, all believers throughout history, How To Survive in a World of Unbelievers.

Respected pastor, teacher, and author John MacArthur, plumbs the depths of Jesus' final words of encouragement to us, based on John 13-16. By studying this valuable book, you will find answers to these and other difficult questions:

• How can you remain pure-hearted and spiritually sound in a church seemingly full of hypocrites?
• How do you help your children stay morally pure when they want to "fit in" with school friends who prefer objectionable activites?
• How can you keep your family anchored to Christ in a society that is drifting far away from His teaching on family issues, such as divorce, homosexuality and abortion?
• How do you retain your Christian ethics when you boss asks you to lie or cheat?
• How can you keep your life focused on glorifying Christ in a society that proclaims self, pride, and personal achievement as marks of success?

• Sales Rank: #642961 in Books
• Published on: 2001-01-12
• Released on: 2001-01-10
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .59" w x 5.47" l, .56 pounds
• Binding: Paperback
• 208 pages

About the Author

John MacArthur is the pastor-teacher of Grace Community Church in Sun Valley, California, president of the Master’s College and Seminary, and featured teacher with the Grace to You media ministry. In more than four decades of ministry, John has written dozens of bestselling books, including The MacArthur Study Bible, The Gospel According to Jesus, and Slave. He lives in Los Angeles.

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9 of 11 people found the following review helpful.
Not really a "How To" book , but interesting info
By Bryan E. Leed
This book is not quite the type of Christian living book that the title implies.
It has a ton of great info, background, and information about the last night of Jesus, before the crucifixion, and this book really expounds on the Last Supper according to the Gospel; but this book seems to be only about 25% writing about contemporary Christian living applications.
The title and subtitle of this book should be reversed, to read, "Jesus' Words of Encouragement on the Night Before HIS Death - (and How to Survive in a World of Unbelievers)."

5 of 7 people found the following review helpful.
Loving the Lord More
By Gregory A Hudson
John chapters 13-17 are some of the most intimate times between Christ and His Disciples. After Judas left the group, Christ shared some of the most beautiful and wonderful truths and promises found in scripture. This book brings those out in a magnificent way.
If you've ever been on a team or coached a team, you may have been aware of the special bond that there is between coach and players. And one of the most special times is the pre-game talk by the coach before the team goes into battle. That is similar to these chapters in the gospel of John.
In MacArthur's wonderful way of expositing, he brings special insight and appreciation for this wonderful passage of scripture.

0 of 0 people found the following review helpful.
In this we can trust God to fulfill His promises to us and our love for God is demonstrated by our obedience to His ...
By Allen Haynie
John MacArthur begins his book, How to survive in a world of unbelievers, by teaching that all Christians should develop a humble servants heart. If we want to begin to understand how we conduct ourselves in this world, a humble servant heart is where it begins. We are to remain pure hearted and show spiritual prudence in a world that glorifies those who are full of self and full of pride. We must surrender ourselves to the Holy Spirit and allow God’s will to work in our life. One of the character traits of the true Christian is someone who is absorbed with God’s glory. We give God glory by witnessing and loving one another (by showing and developing the fruit of the spirit). In this we can trust God to fulfill His promises to us and our love for God is demonstrated by our obedience to His Word. Our obedience confirms our standing with God.

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A Japanese geisha, a Middle Eastern caravan, a Hungarian-'Gypsy' fiddler, Carmen flinging a rose at Don José - portrayals of people and places that are considered somehow 'exotic' have been ubiquitous from 1700 to today, whether in opera, Broadway musicals, instrumental music, film scores, or in jazz and popular song. Often these portrayals are highly stereotypical but also powerful, indelible and touching - or troubling. Musical Exoticism surveys the vast and varied repertoire of Western musical works that evoke exotic locales. It relates trends in musical exoticism to other trends in music, such as programme music and avant-garde experimentation, as well as to broader historical developments such as nationalism and empire. Ralph P. Locke outlines major trends in exotic depiction from the Baroque era onward, and illustrates these trends through close study of numerous exotic works, including operas by Handel and Rameau, Mozart's 'Rondo alla turca', 'Madame Butterfly' and 'West Side Story'.

• Sales Rank: #2134652 in Books
• Published on: 2011-11-24
• Original language: English
• Number of items: 1
• Dimensions: 9.61" h x .91" w x 6.69" l, 1.53 pounds
• Binding: Paperback
• 440 pages

Review
"Depictions of Turkish pashas, Spanish gypsies, and of amusing or threatening foreigners are very familiar to musicians and audiences, yet Ralph P. Locke is the first critic to confront this enormous repertoire as a major phenomenon in Western music. The range - from Baroque opera to jazz - is vast, and the ethical and political issues are more relevant today than ever. Locke's penetrating study explores the manifold implications of evoking exotic cultures in music, and offers insights that force us to rethink many of our most firmly held assumptions." --Hugh Macdonald, Avis H. Blewett Professor of Music, Washington University, St. Louis

"In this ambitious and challenging monograph, Ralph Locke proves himself to be an extremely expert guide to that musical Elsewhere that we all know but little understand, whether it be the multiple locations of Rameau's Les Indes galantes, the Turkey of Mozart's Die Entführung aus dem Serail, the Sri Lanka of Bizet's Les pêcheurs de perles, the neighbourhood Otherness of Bernstein's West Side Story, or the journey from Venice to China undertaken by Tan Dun's Marco Polo."
--David Nicholls, Professor of Music, University of Southampton

"In this book, Ralph Locke offers a comprehensive and probing examination of musical exoticism in diverse musical repertoires that range from Rameau to Algerian Rap. He effectively bridges the gap between cultural and musical analyses of exoticism by grounding stylistic traits and paradigms to specific ideologies (colonialism, imperialism, Orientalism, and globalization) and cultural contexts. In demonstrating how western audiences' understanding of exoticism is mediated by cultural preconceptions and "situated" knowledge, Locke carefully negotiates the multiple subject positions and social forces that have shaped its discursive practice."
--Yayoi Uno Everett, Associate Professor, Music Department, Emory University

"Locke's impressive achievement in Musical Exoticism is at least threefold: to have offered a synthetic account of its area of investigation, drawing judiciously upon a voluminous bibliography and over two decades of his own extensive research on musical exoticism, nineteenth-century art music and opera, and music's relationship to politics; to have offered a new research paradigm as a much-needed corrective to scholars of exoticism and orientalism in music, who have hitherto focused primarily on the "borrowing" or appropriation of musical materials (scales, modes, tunes, styles, etc.), too often at the expense of issues of representation and interpretation; and to have outlined a compelling periodization of exoticism's shifting role within the dual histories of Western art music and Western imperialism. But, I hope that the book is also remembered for its simultaneously generous and critical--and, one might therefore reasonably suggest, Saidian--impulse to examine and assess artworks in a patently non-reductive manner. Indeed, some of the best material in the book can be found in its rich, authoritative treatments of specific compositions, creators, keywords, and topoi that span three centuries of musical production. Equally important are the book's lucid prose and accessibility to general readers, which should garner it a wide audience."
--Sumanth Gopinath, Assistant Professor of Music Theory, School of Music, University of Minnesota

"...remarkable publication."
--Eftychia Papanikolaou, Musicology, Bowling Green State University

"an engaging read, aided by well-chosen illustrations and musical examples. . . . The ethical, moral, and political issues . . . lead one to contemplate as never before how pervasive musical exoticism has become throughout the music of the Western world. . . . An engrossing, intriguing, and fascinating book. Professor Locke offers us a rich feast, one which whets our appetite for more information and urges us on to further explorations of our own."
--The Boston Musical Intelligencer: A Virtual Journal and Blog of the Classical Music Scene in Boston

"Insightful and original. . . . [A] subtle and powerful account of musical understanding. . . . Musical Exoticism is not just a fine instance of contemporary musicology but also a timely intervention in debates about the ethical and didactic role of the arts in society." --Times Literary Supplement (Conor Farrington)

"[Locke's] approach is warm, enthusiastic and instructive on those musical details introduced in order to 'link a work to some fascinating, attractive or fearsome place' . . . Interesting points are made about familiar pieces, such as Carmen's versatility in Spanish, Cuban and flamenco music."-Musical Times (Peter Williams)

"Ralph Locke has written a masterful study of the processes, effects and and ramifications of the representation and appropriation of 'exotic' musics by Western composers from the 17th century to the present: it promises to be the benchmark work in this area for some time, and one to which scholars should refer. Locke's Musical exoticismis arguably more comprehensive in its breadth and (as a single-author work) more uniform in its approach. It is likely to become a cornerstone for music students, if not a textbook for undergraduate courses on this subject. Written in such an accessible way that non-specialist readers can easily relate to it, it will also be of great relevance to scholars working in related fields, such as literary criticism, theatre studies, cultural history and even social anthropology. Musical exoticism, evidently the product of decades of research and deep reflection, deserves the highest acclaim for its detailed critique of a challenging area of Western music history, theory and aesthetics;...Musical exoticism should be the standard textbook on the subject for undergraduate music students, and a ready reference for anyone interested in the topic." --David R.M. Irving, Early Music

"A comprehensive survey of three centuries of [musical] exoticism framed by a highly flexible yet incisive theoretical approach . . . The very readable text is clearly aimed at a diverse group of scholars, musicians, and concertgoers. Theoretical terms (both musical and cultural) are helpfully explained and even the most complicated ideas are communicated in clear and jargon-free language." -Music Library Association Notes (Shay Loya)

"A splendid history. . . . The musicological journey of this book is as fascinating as the subject itself. . . . A compulsory reference for any academic curriculum of both musicology and the history of cultural ideas. . . . Important for a very wide range of musicologists and ethnomusicologists, as well as of people doing cultural studies, are the multiple chapters on Gikpsy and gipsyness in music, on popular musical genres and on film music. . . . Convincingly complete, a state-of-the-musicological-art that establishes itself as an unavoidable milestone and major reference. . . . A major source and reference for the study of exotic/exoticism/orientalism in general [i.e., not just in music]."-Journal of Ethnography and Folklore.

"Pushes us to widen the scope of inquiry beyond what is (merely) heard to what is seen, read, and intuited in and around the moments of sounded exoticism. . . . Allows for the inclusion of works that do not necessarily sound exotic, but involve exoticist elements in various extramusical ways. . . . Does not shy away from questions of stereotype or works that seem to traffic in them. . . . [Locke's] fascinating claim moves us away from arguments about works' value, and invites us instead to confront our own values and from where they come. . . . One of the volume's contributions is its resituation of other scholarship in the context of exoticism. . . . This book can provide a set of questions about representation and meaning that may have been previously overlooked. . . . His Full-Context paradigm ultimately offers . . . a way of including works, and by extension, their communities of scholarship, that represent difference in ways other than sound." --Journal of the American Musicological Society (Sindhumathi Revuluri, Harvard University)

"This sophisticated and wide-ranging book . . . draws us in, then challenges, instructs, and delights us. . . . The chapters that attempt to define musical exoticism are rich and provocative. . . . One of the strongest aspects of the book is the extended discussion of 'Turkish exoticism' (pp.110-26), inspired by the percussion instruments of the Turkish Janissary troops. . . . One of the most insightful analyses comes from Locke's discussion of Bernstein's 'evenhanded portrayal of the rival ethnic groups' [in West Side Story]. . . . One of Musical Exoticism's many strengths is that it takes on the risk of defending what Appiah has called the 'necessary and inevitable part of cultural contact' (p. 41) and gives us many new reasons to appreciate this music. With its subtlety and wide-ranging analyses, music lovers will find many occasions here for fruitful 'reflection'."
--H-France.net (Jann Pasler)
Full review at http://www.h-france.net/vol11reviews/vol11no134Pasler.pdf

"Mature and fair-minded...This might serve well as a text book for an undergraduate module, or as initial reading for a (post)graduate seminar. For those coming at the topic for the first time, it represents a well designed and carefully balanced introduction. Everyone benefits from Locke's use of plain, readable language...intelligible to non-specialists...The clarity of the definitions [in Chapters 1-4] are a strength of the work and represent its core originality...[Regarding the years since 1890], Locke provides a clear path through ambiquous and confusing terrain...For me, this material was the most rewarding and original aspect of the book." --Matthew Head, Nineteenth-Century Music Review

"A major . . . contribution to musicological scholarship. Locke is not bound by terminologically reified concepts, but constantly shapes and evolves his definitions to respond symbiotically to his musical material. As such the conventional philosophical binarisms of exoticism are treated critically: then/now; self/other; near/far; fact/fiction-these are systematically dismantled and reassembled in [the] later, more music-orientated chapters of the book. . . . The basic profundity of Locke's book: it asks questions about questions." Bennett Zon, Journal of the Society for Musicology in Ireland

About the Author
Ralph P. Locke is Professor of Musicology at Eastman School of Music, University of Rochester.

Most helpful customer reviews

1 of 2 people found the following review helpful.
Fascinating and well-written
By Portia
This is a fascinating and well-written study of exoticism (as perceived by westerners) in western music. It is written with enough detail for someone who is musically literate but with language and explanations that make it accessible to an ordinary person. Professor Locke examines a wide range of musical examples, from Baroque operas to Carmen and Madame Butterfly, from Mozart's piano "Rondo all turca" to a song popularized by Josephine Baker. He even discusses the music for the Lord of the Rings movies. The theoretically-inclined will be intrigued by his scholarship and paradigms. The rest of us will enjoy his discussion of the various works and the way in which our conception of "the other" has expressed itself in our music.

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• Sales Rank: #93872 in Books
• Published on: 2016-08-03
• Original language: English
• Dimensions: 9.00" h x .58" w x 6.00" l,
• Binding: Paperback
• 254 pages

Most helpful customer reviews

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By Amazon Customer
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Ms. Elliott's lifes work after the death of Dr ...
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The Kelly incident is a unique story. It happened during a time
when things were a lot different than now. When people were really neighbors and actually helped one another. Children listened to their parents and no one knew there were things out in the world that was different than them. The media wasn’t there to overshadow every aspect of our lives like it is now. Families were close and depended on each other and life – well, it was just plan simpler!
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• Sales Rank: #2282549 in Books
• Published on: 2015-08-10
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .19" w x 5.98" l, .30 pounds
• Binding: Paperback
• 94 pages

Most helpful customer reviews

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Milan's notorious playboy, Prince Tittoni, seems to have everything--Lamborghinis, exotic women, palaces throughout Europe and business success. Ramping up his fabric company to go global with a new apparel brand, he ruthlessly stops supplying fabrics to the American client who inspired the collection. But once they meet, what's he willing to give to get her in his bed? Upper East Side designer Lex Easton has already endured her fair share of hard knocks. She'll be damned if she'll let an Italian stud muffin knock her down. So what if she named her favorite vibrator after him? With Fashion Week approaching, she'll do whatever it takes to secure the fabrics she needs to make her clothing line an international success--even sleep with her rival. Lex's Louboutins are dug in deep to win this war. All's fair in love and fashion!

• Sales Rank: #3685391 in Books
• Published on: 2015-08-04
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x 1.24" w x 5.00" l, 1.18 pounds
• Binding: Paperback
• 496 pages

Review
"Is Undressed controversial? You bet! But peppered with psychological insights on the characters' emotional development and motivations which go beyond casual encounter and delves into life's meaning. Be forewarned: when this novel receives a billing of 'erotica', it's not a feel: it's hardcore reality." --D. Donovan, eBook Reviewer, Midwest Book Review

"This book is earthy, sexy, filled with wildness and at times, downright dirty! Avery Aster's imagination amazed me. I am still trying to figure out the logistics to one particular scene." --Books & Chat

"Fresh, flirty, and hilarious! I was drawn into the story-line. Awesome debut not to miss!" --Gimme The Scoop Reviews

"Undressed is romantic, fun, sexy, stylish, naughty and graphic. With all these ingredients, I enjoyed unwrapping to see what was inside." --Romance Novel Junkies

"Undressed is romantic, fun, sexy, stylish, naughty and graphic. With all these ingredients, I enjoyed unwrapping to see what was inside." --Romance Novel Junkies

"The love scenes are so well done that even my panties got wet. The author did not disappoint. The heat level just about over heated my Kindle. Towards the end of the book, I found myself shedding a tear or two, it really got to me."--Swept Away by Romance

"Wonderful characters and hot sex! What more do we need? Undressed is well written. I thoroughly enjoyed getting to know Massimo and Lex and am looking forward to the next installment in The Manhattanite series." --Readaholic's Reviews

"Everything in Undressed flows naturally, proving that erotic romance has evolved over the years into a true storytelling art form, not just characters sleeping together strung up by a weak plot." --The Spicy Romance Connection

"Sexy, charismatic, and pure adult fun, Undressed is an exquisite read. The chemistry is full tilt from the first chapter where the war of the roses is laid down. I thought Massimo was the epitome of a playboy, but once Lex is introduced he can't seem to make heads or tails of the fiery tornado who storms into his palace." --Sensual Reads

(5 of 5 Feathers) "I fell in love with this book from the very beginning. I loved the way the author wrote the characters." --Under the Covers

From the Author
READING ORDER:
  
The Undergrad Years (New Adult Fiction)
 
*   Love, Lex #1 ---> amzn.com/B00JK1ZABE
*   Yours Truly, Taddy #2 ---> amzn.com/B00JN3ATHY
*   XO, Blake #3 ---> amzn.com/B00UKFWZXK
*   Always & Forever, Vive #4 ---> amzn.com/B00VLHC1OY 
 
The Manhattanites (Erotic Romance)

*   Unscrupulous #1 (Taddy & Warner) ---> amzn.com/B00YQGL2HY
*   Undressed #2 (Lex & Massimo) ---> amzn.com/B00YQGL3N2
*   Unsaid #3 (Blake & Miguel) ---> amzn.com/B00YQS3NBA
*   Unconventional #4 (Jemma, Luigi, Rocco) amzn.com/B018V1AXD8



Get a FREE ebook when you join Avery's newsletter eepurl.com/CQ665

About the Author
***Get a FREE ebook when you join my newsletter eepurl.com/CQ665 

Hello Readers!

I'm a New Yorker who writes THE MANHATTANITES, a contemporary romantic soap opera of full length, stand alone novels, and it's juicy prequel, companion series THE UNDERGRAD YEARS. My stories feature alpha billionaire possessive dominant bad boys and the intelligent women who lust after them. 

Chances are if you enjoy reading books by E.L. James, Sylvia Day, Maya Banks, Olivia Cunning, Alice Clayton, Christina Lauren, and Tara Sivec than you'll enjoy my erotic romance novels. 

When I'm not writing, I'm usually watching The Bold & The Beautiful, taking a spin class, or out and about enjoying all the wonderful things the city life has to offer. 

I'd love to connect with you:
Goodreads Goodreads.com/AveryAster
Facebook Facebook.com/AveryAster
Instagram Instagram.com/AveryAster
Tumblr AveryAster.tumblr.com
Pinterest Pinterest.com/AveryAster
Twitter Twitter.com/AveryAster

Most helpful customer reviews

22 of 26 people found the following review helpful.
NOW THAT WAS A SCORCHER!!!!
By Kathleen Young
Story Rating 4.5 Stars
Character Rating 4.5 Stars
Romance Rating 5 Stars
Heat Level 5 Stars
Overall Rating 5 Stars

This story was interesting the whole way through, not one boring spot in the whole book, I blew right through it. I loved reading and learning about the ins and outs of fashion designing, it added an extra element to the read, and really held my attention.

The characters were all VERY well done and my favorite was Lex Easton the heroine. She was a go-getter, and tough and smart when she needed to be. The hero Massimo Tittoni was every woman's fantasy come to life. He is a prince, yep you read that right, a real prince and he was very charming to boot. Massimo is also handsome, very rich, owned palaces, expensive sports cars, airplanes, you name it, and he had it. He was also very well built, wasn’t lacking in the male appendage department…he was huge…and he knew how to use it. *sigh*

The heat level was OVER THE TOP HOT!! There was m/w/m scene that Lex watched from a hiding place that just about over heated my Kindle. WOW! The love scenes with Lex and Massimo were really hot and so well done that even my panties got wet…did I just say that? I love my erotica, and the author did not disappoint.

Towards the end of the book, Lex and Massimo parted ways. I found myself shedding a tear or two, it really got to me. I was not certain what was going to happen between these two lovers, and then to my surprise the romance kicked in high gear and I was left with an ear to ear smile on my face.

The ending was conclusive, nicely done and it left me feeling good, but I still wished that there would have been an epilogue, I just love reading about how happy the couples are and what is going on with them a few years down the road. Oh well, maybe next time.

Looks as if I found myself another FANTASTIC must read author! Avery Aster did a splendid job on this book and I can hardly believe that this is her debut novel. She has found her niche and I look forward to reading many more of her SCORCHING HOT romances.

8 of 9 people found the following review helpful.
Review: The Manhattanites # 1: Undressed
By Lisa Hines
You can find this review at My Favorite Things (heffroberts.blogspot.com)

My rating: 5 of 5 stars

Undressed by Avery Aster...

Oh my, where do I begin...
Um, Holy Freaking Hell...I can't say I wasn't warned...
The level of detail and intensity is ridiculously hot! Phew!

Okay - So, there are different types of romance novels, we all know that, but I think I can categorize within contemporary romance just another step further. You have your standard, real-life, real situation, bittersweet romance novels and then you have your bright shining stars full of billionaires, models, fame, fortune and, in this case, an Italian prince and a fashion designer.

Prince Massimo Tittoni and Lex Easton make one helluva hot combo. I don't think I've ever spent so much time looking up words, definitions, and, um, positions before in my life. I mean I really had no idea half of that was even possible. Wow!

Lex is passionate, stubborn, and demanding and makes no apologies for it. Massimo (the Prince, not the vibrator) is a beautiful male specimen that just cannot resist this beautiful New Yorker.

The sex scenes are off the chain. I had no idea one woman could climax quite so many times or so forcefully. Am I missing out or is it just that hot to read about? Okay, it's definitely that hot.

As far as the story line goes, I wasn't even a fifth of the way in and I was almost in tears over Lex's predicament and the conversation at the dinner table her first night in Italy. These sassy, independent characters were wrote in a way that endears them to you. Of course later on, especially at the underground party, I just had so many moments where my jaw dropped in shock, and then I had to go online and see if such things were even possible. Turns out...yeah!

Definitely moving on to the next book in The Manhattanites series, Unscrupulous (The Manhattanites #2).

"You may call me Lex, not Bella. This isn't Twilight." She didn't care for paranormal.

16 of 20 people found the following review helpful.
MY KINDLE CAUGHT FIRE WHILE READING UNDRESSED BY AVERY ASTER
By books + coffee = the best
***Before reading Undressed by Avery Aster I suggest the following***

1.) Fill your kitchen sink up with ice. You’ll want to sit on it between reading chapters.

2.) Have a man handy, one to pounce on after you read Undressed. Preferably one who looks like Massimo.

3.) If you don’t have a man, get the Massi Salami toy that Lex uses in Undressed.

Holy Victoria Secret!!! We’ve all heard about the San Francisco fire of 1906. Well that my friends pales by comparison to what you’ll experience while reading Undressed.

Massimo Titto, he must be the hottest guy on the planet, right? Lex, the heroine describes him to have the face of a Roman statute. He's hung like an Evian bottle. He’s sexier than Johnny Depp and Bradley Cooper combined. Massimo is a bad boy who's trying so hard to be good. He's sworn off aggressive women and is focused on his making his fabric company, Girasoli a success. He has no family and only a handful of friends, but everyone works for him. Poor guy.

In struts (in her Christian Louboutins) Lex Easton. She has got to be the most sexually frustrated heroine I've ever read. She hasn't had it in so long, she can't even remember. Lex is also wickedly talented as a fashion designer.

Massimo needs her fashion wits. Lex needs his body.

You should read this book if you like:

1.) True love stories, the kind that just knock you off your feet and make you smile ear to ear.

2.) a hero who’s wealthy, smart and a little sensitive. Massimo has a big heart and a big; you-know-what

3.) A heroine who’s witty, ruthless and willing. Lex is a gal I'd be friends with.

4.) A happy ending. Yes a big fat happy ending that will make you cry your eyes out.

There is one menage scene that will make your mouth hang open. It doesn’t happen between Massimo and Lex, which I liked. But, Lex totally watches and she gets herself hot over it. Very very hot!!!

Undressed is an amazingly fun read. I loved it.

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This is a book about the public display of death in contemporary culture. It consists of a series of essays on specific cases in which death is displayed in museums and in photography. The essays focus mainly on representations of violence and death in events in recent Israeli history, including the assassination of Yitzhak Rabin and the Palestinian Intifada, and on the visual presence of traumatic events in Israeli culture throughout the twentieth century. They show how images of these events both shape and aestheticize the viewer's experience of death.

The book offers a new reading of the work of Walter Benjamin, particularly his essay 'The Work of Art in the Age of Mechanical Reproduction.' Engaging the disciplinary perspectives of philosophy, art history, cultural studies, and photographic theory, the book also draws upon the work of such writers as Jean Baudrillard, Pierre Bourdieu, Gilles Deleuze, Michel Foucault, Jürgen Habermas, Jean-François Lyotard, and Jean-Luc Nancy.

• Sales Rank: #2856046 in Books
• Published on: 2003-02-28
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .75" w x 7.00" l, 1.30 pounds
• Binding: Paperback
• 314 pages

Review

How the author could have come to understand the history of the interaction of computation and mathematics so thoroughly and accurately is utterly beyond me. Given the immense number of people involved in the research described, it is thoroughly amazing that someone has surveyed it all and put it together. And done it superbly.

(Robert Boyer, Department of Computer Sciences, The University of Texas at Austin)

A book of both profound and theoretical weight and immediate social resonance.

(Afterimage)

Azoulay has an eye for seeking engaging artwork and combining theoretical tools.

(Al Jadid)

The various parts of this work add up to a most valuable, comprehensive statement about the changing relations between art, culture, and power in contemporary democracy.

(Yaron Ezrahi, Department of Political Science, Hebrew University of Jerusalem)

In this original and daring analysis of the politics of art, Azoulay shows how photography, the organization of public space, and the museum as an institution both conceal and reveal basic ideological commitments. Few accounts of the aftermath of the Holocaust or of Israel's recent strife-ridden history uncover as keenly as this work does the close ties to be found between political act and rhetorical representation.

(Berel Lang, Professor of Humanities, Trinity College)

Ariella Azoulay's Death's Showcase is critical discourse at its best: irreverent, politically charged, and yet scrupulously attentive to both specific artworks and the philosophical dimensions of the task of interpretation. We need to learn new ways of seeing, Azoulay insists in incisive analyses of contemporary art, photojournalism, philosophy, and interviews with military surveillance experts, because how we see our surroundings directly determines the politics of being -- and the politics of non-being as well.

(Ulrich Baer, Department of German, New York University, author of Spectral Evidence: The Photography of Trauma)

Zoom forward, track back. Death's Showcase is a fascinating unfolding of these simultaneous operations, whereby photographic, televisual, and museological spaces create an unbridgeable, permanently mourned distance from some auratic object as they draw us closer to things. Ariella Azoulay's is an exciting new voice on the critical scene, politically savvy, artistically astute, and smart on the whole range of issues surrounding the display of death in modern culture.

(Joan Copjec, author of Imagine There's No Woman)

This is an original and important book on a significant topic. Spectral Evidence is at once learned and critical, informative and imaginative, concrete in its own practice and theoretically sophisticated. It is clearly formulated even when addressing complex issues.

(Berel Lang, Professor of Humanities, Trinity College)

Azoulay's Book is a complex combination of cultural studies, visual culture analysis, and the study of Jewish and Israeli political culture. In each field, she offers a unique reading, unique in its freshness and its ability to turn accepted understandings upside down through brilliant insight informed by a vast knowledg in, and profound understanding of, a plethora of theories.

(Hannan Hever, Department of Poetics and Comparative Literature, Tel Aviv University)

About the Author

Ariella Azoulay teaches visual culture and contemporary philosophy at the Program for Culture and Interpretation, Bar Ilan University. She is the author of Once Upon A Time: Photography Following Walter Benjamin and Death's Showcase: The Power of Image in Contemporary Democracy, winner of the 2002 Infinity Award for Writing presented by the International Center for Photography for excellence in the field of photography (MIT Press, 2001).

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