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Expositional Modes and Temporal Ordering in Fiction, by Meir Sternberg
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"... this is one of the few books on narrative worth reading and rereading, a study that will make―or should make―a difference in the way we read narrative." ―Nineteenth Century Fiction
"This is a remarkable book: original, clear-sighted, and luminously focused on a subject that has never been explored nearly so systematically or intensively."―Dorrit Cohn, Harvard University
This book, long out of print, is now available in a paperback edition, providing another window into one of the most exciting minds working in the areas of literary and biblical literary criticism.
- Sales Rank: #2524937 in Books
- Published on: 1993-03-22
- Released on: 1993-03-22
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.04" w x 6.12" l, 1.00 pounds
- Binding: Paperback
- 352 pages
About the Author
MEIR STERNBERG is Professor of Poetics and Comparative Literature at Tel Aviv University and author of The Poetics of Biblical Narrative.
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Book Contents
By Curupira
1. What is Exposition? An Essay in Temporal Delimitation
2. Exposition and Order of Presentation: Some Preliminary Notes
3. Delayed and Distributed Exposition in the Odyssey: The Dynamics of Narrative Interest
4. Order of Presentation, Delayed and Distributed Exposition, and Strategies of Rhetorical Control
5. The Rhetoric of Anticipatory Caution: First Impressions in OFirst ImpressionsO and the Poetics of Jane Austen
6. Retardatory Structure, Expositional Suspension, and the Detective Story
7. A Plea for Preliminary and Concentrated Exposition: The Cases of Trollope and Balzac
8. Expositional Motivation, Temporal Structure, and Point of View (1): Varieties of Omniscient Narration
9. Expositional Motivation, Temporal Structure, and Point of View (2): Restricted and Self-Restricted Narration
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